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Pianos Unlimited Featured:
Ben Waters, Dino Baptiste & Dan McAllister
Dino emailed:- "Yes indeed! - it was a great evening in Northampton on Friday 9th - CONGRATULATIONS !".
"!The audience were great and its so important when the crowds are behind the show screaming and shouting at the right moment. GREAT STUFF !".
"Considering we only had our pianos for the main musical source - the audience picked up on the groove and vibe very well - the proof here is when they start to dance (and more so in time) which can only mean one thing - YOU had a great sound out front -- personally I felt my piano and vocal mix were just right which allowed me to concentrate on my performance and not the sound! - it was also great to hear my piano in a way that I have not heard it yet - full-sounding and etc etc - thanks so much for delivering a pro-sound at all times which I know was greatly appreciated by us musicians and the audience alike".
Ben Wrote: - "thanks for a cracking gig the other night. I have had such a good response from everyone, I sold lots of cds and the people who have bought them contacted me through the web site and said what a good time they had had and what a good sound !".
Danny Said:- "Cheers Chris, that was fab, what a sound, OK it took us some time to get the monitors sorted, but when we did, well I can say no more. I will definitely use you again--fantastic rig, good sense of humour and a job well done--it was awesome"
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Mose Scarlett - A unique Canadian musician and frequent visitor to the UK:- "It's kinda fun, I really love this sound". For those reading this and who know Mose you will understand that in the interest of Web space why his full quote has been edited.
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Dan Plews "The equipment used was in good condition and we were more than happy with the sound quality. Chris from soundsounds ranked well in our experience of festival sound engineers. Whenever we needed adjustments making to our mix he would be looking either at us or the desk, signalling with visual cues, which we would then confirm with a nod, after which he would wait for confirmation from us that the adjustment was satisfactory. You can't hope for more than that from a house engineer, many of whom hardly look at the desk during a performance, let alone the musicians onstage."
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